tag:blogger.com,1999:blog-211837242012-02-16T00:01:45.811-08:00Breakdown of equipment, projects started and live shows from 1984 to 2003.Zan Hoffmanhttps://profiles.google.com/113192698162694188644noreply@blogger.comBlogger11100tag:blogger.com,1999:blog-21183724.post-1137641142339491512006-01-18T19:23:00.000-08:002008-07-01T08:04:47.221-07:00<table cellspacing="0" cellpadding="4" width="100%" border="0"><tbody><tr><td bg=""><span><b>year</b></span></td><td bg=""><span><b>equipment</b></span></td><td bg=""><span><b>new projects</b></span></td><td bg=""><span><b>live shows</b></span></td></tr><tr><td><span>1983</span></td><td><span>tad pedley's tape deck and my portable panasonic walkman with condenser microphone</span></td><td><span>proto Zanstones</span></td><td><span></span></td></tr><tr><td bg=""><span>1984</span></td><td bg=""><span>jvc kdw-3 double deck with mic-line input<br />"shoebox" tape deck</span></td><td bg=""><span>Zanstones</span></td><td bg=""><span>.</span></td></tr><tr><td><span>1985</span></td><td><span></span></td><td><span>Zanoisect<br />Masters of the Ungentlemanly Art<br />The Prostitution of...<br />Zidbovinesick</span></td><td><span></span></td></tr><tr><td bg=""><span>1986</span></td><td bg=""><span>borrow boss digital delay pedal</span></td><td bg=""><span>Kenandall<br />Minóy\Zannóy<br />(no mustache under his nose)<br />ToFuZaHo</span></td><td bg=""><span>Universal Will to Become (Iowa)<br />with Memphis friends (Memphis)</span></td></tr><tr><td><span>1987</span></td><td><span></span></td><td><span>Buddy if you like our music go to the vet<br />Your Life Has Been ... for You </span></td><td><span>Masters of the Ungentlemanly Art (Des Moines)</span></td></tr><tr><td bg=""><span>1988</span></td><td bg=""><span>.</span></td><td bg=""><span>Embarrassing &amp; Regrettable </span></td><td bg=""><span>.</span></td></tr><tr><td><span>1989</span></td><td><span>Fostex X-15 4 track</span></td><td><span>Grandbrother<br />Here Be Monsters</span></td><td><span>Grandbrother (Louisville)</span></td></tr><tr><td bg=""><span>1990</span></td><td bg=""><span>.</span></td><td bg=""><span>Zuit Soot Beatnick </span></td><td bg=""><span>Grandbrother (Louisville)<br />You, Me, Us &amp; Them (Austin)</span></td></tr><tr><td><span>1991</span></td><td><span>Fostex X-26 4 track</span></td><td><span></span></td><td><span>with Adam Bohman &amp; Mystery Hearsay (Louisville)</span></td></tr><tr><td bg=""><span>1992</span></td><td bg=""><span>.</span></td><td bg=""><span>.</span></td><td bg=""><span>.</span></td></tr><tr><td><span>1993</span></td><td><span>Ensoniq Mirage sampling keyboard</span></td><td><span>Bodycocktail<br /></span></td><td><span>(pre) Larb (Louisville)<br />Lopezant (Louisville)<br />Zan Francisco (Spain)</span></td></tr><tr><td bg=""><span>1994</span></td><td bg=""><span>Jon Dunbar memorial equipment:<br />Ensoniq DP4 f/x<br />Panasonic DAT</span></td><td bg=""><span>.</span></td><td bg=""><span>Bodycocktail (Louisville)</span></td></tr><tr><td><span>1995</span></td><td><span>Mini marshall</span></td><td><span></span></td><td><span>Bodycocktail (Louisville)</span></td></tr><tr><td bg=""><span>1996</span></td><td bg=""><span>.</span></td><td bg=""><span>.</span></td><td bg=""><span>Bodycocktail (Louisville)</span></td></tr><tr><td><span>1997</span></td><td><span></span></td><td><span>Asa Nisi Masa<br />Creamy Porn Stars<br />Larb</span></td><td><span>Zanstones (Louisville)</span></td></tr><tr><td bg=""><span>1998</span></td><td bg=""><span>Tascam Portastudio 488 MK-II 8-track<br />Dr. Sample SP-202</span></td><td bg=""><span>.</span></td><td bg=""><span>.</span></td></tr><tr><td><span>1999</span></td><td><span></span></td><td><span></span></td><td><span></span></td></tr><tr><td bg=""><span>2000</span></td><td bg=""><span>Zoom 506 Bass f/x<br />Portable cassette recorders: Panasonic RQ-L30<br />GE 3-5367A<br />Aiwa CS-P500 mini jam box</span></td><td bg=""><span>Zantrip 2000<br />dnasnow/mouseup</span></td><td bg=""><span>Zanstones (Spain / Copenhagen), Bodycocktail (Copenhagen)<br />dnasnow/mouseup (Valencia)</span></td></tr><tr><td><span>2001</span></td><td><span>TD-W354 dubbing decks (2)<br /></span></td><td><span>Second Violin<br />Natural History Museum of Sound<br />patina</span></td><td><span>Zanstones (Washington D.C. / Chicago)<br />Second Violin (Chicago)</span></td></tr><tr><td bg=""><span>2002</span></td><td bg=""><span>Second Pansonic RQ-L30<br />GPX singalong deck</span></td><td bg=""><span>Carnival of Equivalencies and Inconsistencies</span></td><td bg=""><span>Zanstones (Louisville / Seattle)<br />Sapat (Louisville)</span></td></tr><tr><td><span>2003</span></td><td><span>Koss portable cd player<br />Sharp stereo/cd/tape unit<br />traded for Fisher RS-881 Amplifier<br />Sony WM-R2 Stereo Cassette-corder<br />Sony SEQ-50 Walkman EQ<br />Sony ECM-95s Condenser Mic<br />Sony ECM-16 Condenser Mic<br />Wild Planet Supersonic Ear<br />Sima Wireless Sound Catcher<br />Radio Shack A/V Edit Selector (2)<br /></span></td><td><span></span></td><td><span>Zanstones (Louisville)</span></td></tr></tbody></table><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/21183724-113764114233949151?l=zhline.blogspot.com' alt='' /></div>Zan Hoffmanhttps://profiles.google.com/113192698162694188644noreply@blogger.com0